![]() ![]() So the chugga-chugga stuff is going to have a lot of impact at its lowest. First, notice how the low peak is sitting right on the fundamental of the low E string of the guitar. This analysis from Atomium Amps breaks down what makes the HM-2 work so well when cranked to 10: "Aside from the insane amount of boost from both the level and EQ pushing the amp much harder, the “suspension bridge” curve does a couple of things. But the HM-2 has nearly built its entire legacy from one setting: everything dimed. That alone could render any other pedal practically useless. Even outside of that considerable dead spot, the range is limited. ![]() Adjusting the knob between about eight and three o’clock doesn’t actually result in any change in gain. The Distortion control, on the other hand, is almost completely useless. The Color Mix controls – low and high – are incredibly sensitive, offering +/-20dB boost/cut at their respective frequencies. It has a bite and an EQ characteristic unlike that of any other dirt pedal on or off the market. The HM-2 is a truly unique beast with a tone that is almost more fuzz than it is true distortion. Its intense, atmospheric grind runs perpendicular to the prevailing ideas of what constitutes a “good” guitar tone.Īnd while it may be nowhere nearly as pleasant or ubiquitous as the Rat, Big Muff, or even other Boss distortions, the HM-2 has had an undeniable impact on the world of heavy guitar tone. In this realm of drives and distortions, there is no better candidate for chthonic overlord than the Boss HM-2 Heavy Metal. Here, the venerable Tubescreamer, OCD, and Rat have all been in the top spots for decades, champions of great tone across the entire gear world.īut every Mount Olympus has its Hades, the dark and brooding antagonist confined to its underground kingdom. Within the pantheon of guitar pedals, there is no shortage of legendary dirt options. ![]()
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